Doofus Art… Part XVIII
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Introduction The continuing art adventures of Doofus and the Duck and their Company of players, as created by my wonderful wife Emma during the never-ending time of COVID-19 pandemic continuing now for a third year into 2022. This is the eighteenth installment of works, the Company remaining at the height of their creative endeavors.
Without further ado, back to the Doofus and the Duck…
January 2022 Doofus and the Duck present, in honour of the Cycling of the Year in the Gregorian Calendar System (and in the fervent hope of a better twelve months for all than the last), and in memory of French 20th Century master Henri Émile Benoît Matisse’s “second life” (“une seconde vie”), an early cut paper collage that was a study for the curtain design of Sergei Diaghilev’s “Ballets Russes” performance of “Rouge et Noir,” entitled “Two Dancers (Deux danseurs) (1937–38),” starring the ABC Interpretive Dance Bandicoot as The Magnificent Dancer in Yellow; and Shaun the Sheep as The Dancer in Black